Guerrilla is a thoughtful and undidactic look at a time when the left went from nutty to nihilistic. In one 18-month stretch of 1971-72, the FBI recorded more than 2,500 bombings in the United States, more than five a day. And much of the revolutionary violence was directed not at the war in Vietnam, where American involvement was in steep decline, but at racial iniquities. Underground American groups like the Weathermen and the Symbionese Liberation Army explicitly declared that their violence was committed to combat black oppression, even if the fingers that were pulling the triggers or lighting the fuses were, in many cases, white. The Black Lives Matter movement is different in many, many ways, but the echoes are there nonetheless.
Frieda Pinto (Slumdog Millionaire) and Babou Ceesay ('71) play the politically engaged young lovers Jas and Marcus. Marcus is a black teacher whose revolutionary impulses are strictly cerebral; trying to blaze the way for the fulfillment of Ho Chi Minh's dictum that "when the prison gates are opened, the real dragon will fly out," he spends his spare time teaching classes at a London jail, educating future cadres. Jas, a nurse and a red diaper baby with daddy issues (her father is in jail in India for killing soldiers), is less patient. "I have to be with someone who wants to do things," she warns Marcus. Television critic Glenn Garvin looks at what happens next.